Applications of Sustainable Architecture

‘Sustainability: What it means with regard to Architecture’


This thesis considers what sustainability methods to architecture, and how architects can certainly utilise their knowledge not to only ensure a more responsibly future for buildings, but for promote a better understanding of sustainability on a far wider range. The areas under study include things like an appraisal of the complex, social, and financial along with energy-saving aspects of sustainable growth. Research proposes that organized research and study into what durability means can help the concept to be more fully understood and much better implemented in industry. Studies secondary, and uses 3 case studies which I possess selected for their relevance to my design interests and which I believe represent an original and innovative approach to the idea and interpretation of durability in architecture.


Fashionable definitions of sustainability claim that it is a generic term which usually encompasses many areas of modern society and industry, including complexes, transport, and public area. ‘Sustainable architecture’ has been looked as a ‘cultural construction in that , it is a label for a adjusted conceptualization of architecture … A ‘sustainable design’ is a creative variation to ecological, sociocultural and built contexts (in which order of priority), supported by credible cohesive arguments. ’ This dissertation seeks to cope with and discuss the varied methods sustainability relates to architecture, which include physical constraints, impact involving sustainable design, political along with social trends and needs, plus the availability of resources with which to create sustainable architecture. For designer sustainability and its implications have become of great value as well as importance – ultimately altering the direction of buildings as a discipline and sensible science. I believe that the period sustainability is a term chucked around very often without much assumed as to what it means often because this is a concept of such great detail – with potentially world-changing consequences – and that the concept requires far more research if it is to be fully implemented with a mass scale.

Throughout this thesis, I seek to define my own expert and creative interpretation associated with sustainable architecture by looking at and learning from the do the job of others. In my structuring of the thesis I have reduced these interests to focus on about three key areas as represented by three chosen circumstance studies. These are to include:

  • Chapter 1. Technical sustainability: Werner Sobek

This kind of chapter examines how German born engineer and architect Werner Sobek has integrated ecological technical features into the type of his ecological home. Typically the social housing Bed Zed project in London is also reviewed for its contributions to developing a clearer understanding of how architects might incorporate sustainable technologies into their designs.

  • Chapter Two. Public Sustainability: Seattle Library OMA. This chapter considers the effect and function of the public creating for the immediate neighbourhood, in addition to why the development is socially important.
  • Chapter Three. Cost effective and Energetic Sustainability with Beddington.

This chapter examines the main element features of the Bed Zed project and what energy-saving and monetary incentives the project offers to the wider community. Now one of the most well-known sustainable public housing developments, designed by Expenses Dunster Architects, Bed Zed provides a useful and useful point of comparison for the other studies. This allows me personally to assess the changes and changes which sustainable development provides undergone over the last decade.

Chapter One: Techie Sustainability: Werner Sobek

As outlined by Stevenson and also Williams the main objectives regarding sustainability include significantly lowering greenhouse gas emissions, saving resources, creating well-structured as well as cohesive communities, and maintaining a consistent and successful overall economy. For architecture these principles have opened up a new industry involving use of alternative generally re-usable materials, which offers the actual architect space to experiment with fresh designs. A considerable body of exploration exists into the best use of construction materials, offering assistance to architects and development companies. For example , in 2100 The Building Research Establishment posted a paper called a ‘green’ guide to construction materials which usually presents Life Cycle Evaluation studies of various materials and their environmental impacts. Whereas Strength Efficiency Best Practice with Housing have already established through research that there is global stress to ensure that construction materials tend to be sustainable.

Sobek’s design of his own sustainable home has been described as ‘an environmental show house of exact minimalism. ’ Its main design is of a dice wrapped in a glass protect, where all components usually are recyclable. The most obviously ecological technical feature is the building’s modular design – glass panels and a steel structure, which forms a lightweight construction. Sorbek’s work illustrates a high degree of thought behind the actual architect’s conceptual understanding of durability. Sorbek has obviously pondered what sustainability means and has implemented his knowledge to create an example from which future practitioners will learn. In Sobek’s work we see the high degree that on which he has embraced new technology and made sophisticated use of new supplies, while also maximising customer comfort by incorporating sensor in addition to controlling technology. Furthermore, using arbitrarily convertible ducts makes the use of traditional composites unwanted. Thus, Sorbek is growing the discipline of ecological architecture, branching out into bolder, and stranger designs, which displace the functionality as well as detract saleability from traditional designs.

Within contemporary sustainable designs presently there needs to be a regularity as well as simplicity of form : as this seems best to indicate the sustainable philosophy in the architect. As Papenek claimed of the designs of ecologically sensitive projects: ‘common sense should prevail when a design will be planned. ’ Considering the sort of Sobek it is clear this sustainable building – while fairly simple – can nevertheless draw from a range of hypothetical models in its designs. Like the influence of regular, even classical traditions are never entirely absent from contemporary design; moreover contemporary sustainable designs require a re-assessment of architectural theory and process. As Williamson et ‘s phrases it:

‘’green’, ‘ecological’, and ‘environmental’ are labels that include the notion that the design of buildings should fundamentally take profile of their relationship with in addition to impact on the natural environment .. trademarks refer to a particular strategy exercised to achieve the conceptual outcome, and the strategies that occur in some sort of discourse must be understood seeing that instances from a range of hypothetical possibilities. The promotion of the restricted range of strategic selections regulates the discourse and also the ways of practising the self-control .. Overall, practitioners modify all their concept of their discipline to be able to embrace these new topics, concerns and ways of process. ’

Ways these theoretical influences might be expressed include experiments within symmetry, and regularity regarding form. Very often, as revealed by Sobek’s work, the actual sustainable features require a number of areas of space which can be one under the more common purpose of performing collaboratively. At Bed Zed in London any aesthetic accommodement are more than compensated for by the provision of its renewable energy. Forms, although not driven or ornamental do stick to the Vitruvian principles involving symmetry, where symmetry means:

‘A proper agreement between the members with the work itself, and relative between the different parts and the full general scheme, in accordance with the part selected as normal. ’

From the BedZed project the regular structure, consisting of the assimilation of many component parts, reflects typically the sense of collaboration amongst the different companies which became a member of forces to create BedZed, plus the community feel amongst the individuals who live there. There is certainly a feeling of completeness, deriving from the presence of many different units, fortified by sustainable features, where vents of varying colorings detract from the strict regularity of forms, creating a light-hearted and ‘sunny’ aspect. Buy and symmetry are essential to the design, as those principles the amalgamation regarding materials and technological device has the potential to look unkempt, messy, disheveled. In both Sorbek’s project including Beddington the presence of many home windows, and solar panelled attics, will come to symbolise not really a lost tradition of structures, but the securing of conceptual ideologies which aim to merge practicality with ecological appear principles and materials.

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